I mentioned MPEG-LA and how annoying it is to be held hostage by its vaguely defined patent claims and enforcement tendencies back in the “Future of Computing” post that I still need to work on. Here Eugenia Loli-Queru points out problems I didn’t know existed: Why Our Civilization’s Video Art and Culture is Threatened by the MPEG-LA.
Here’s a counter-point/chill-pill: Is h.264 a legal minefield for video pros?